![](http://needlesi.winterthur.org/wp-content/uploads/2022/07/Figs_26-28_L2021-1024-001_003_overall-front.jpg)
Equal Pay Days
Workplace Harassment
Olivia Johnson
Portland, Oregon; 2020
Cotton embroidery floss, Aida cloth, embroidery hoop, felt
Courtesy of Olivia Johnson
I created Women’s Work as a reaction to the discrimination that women, notably women of color, continue to face in the workforce. The medium of cross stitch, a form of art that tends to be labeled as kitsch and a women’s hobby craft, was intentionally utilized to emphasize the fact that women’s labor is routinely dismissed and undervalued.—Olivia Johnson
Graphic artist Olivia Johnson uses a standard cross-stitch to visualize data on women’s representation in the workplace. Not only do cross-stitches resemble pixels, but they also call on centuries of embroidered history, rendering women and their labor visible in a familiar form. —Laura Johnson
Click on each of the images below to see the statistics that inspired the needlework by Olivia Johnson.
![](http://needlesi.winterthur.org/wp-content/uploads/2022/07/womens-work_charts_web_16x9_paygap_labels.png)
![](http://needlesi.winterthur.org/wp-content/uploads/2022/08/paygap_labels-1024x1024.png)
![](http://needlesi.winterthur.org/wp-content/uploads/2022/07/womens-work_charts_web_16x9_days-worked_labels.png)
![](http://needlesi.winterthur.org/wp-content/uploads/2022/08/days-worked_labels-1024x1024.png)
![](http://needlesi.winterthur.org/wp-content/uploads/2022/07/womens-work_charts_web_16x9_harassment_labels.png)
![](http://needlesi.winterthur.org/wp-content/uploads/2022/08/harassment_labels-1024x1024.png)